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The song makes me all the more anxious (in both senses of the word) to hear the album. Nó hoàn toàn là mt bc chân dung gây sng st ca mt ngi àn ông ri lon nhân cách phân lit th k 21, ngi ln lt i t s kiêu ngo áng ghê tm, sang hi hn, khôn ngoan. Windows: Shareware: : 451: 75db: Scratch Me: This tool plays a wave, changing its pitch and speed in realtime.
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OverClocked ReMix is a video game music community with tons of fan-made ReMixes and information on video game music. The lyrics, though, are surely going to give close listeners pause: "Though I have cried/So many times/So many times/It's all because I feel everything that's gone/It's all gone/It's all gone/It's all gone." My Beautiful Dark Twisted Fantasy nm bt phn ct lõi ó mt cách y. Tiny Mix Tapes is a music and film webzine featuring news, reviews, features, and hot replica watches. The deep thwack of an 808 and mechanized shudders are going to soundtrack a lot of makeout sessions in the next few months. Pearson's deadpan delivery, though, simultaneously depletes and replenishes the song of its overt sexuality. The use of 808s is so powerful and it is perfectly matched with the concept of the album. This LP is based on two sides: the use of 808s and heartbreak. His use of auto-tune throughout the album is heavy, and in songs like Heartless and Love Lockdown its use is appealing. Where he steps, the footprints of T-Pain are readily visible.
808s and heartbreak review tiny mix tapes series#
In this sense, a series of negative aspect affects the sound and themes of the project. Kanye West’s fourth album 808s and Heartbreak follows the crowd rather than leads it. "On Giving Up" is a straight club banger that glows with electric sex. After the conclusion of college trilogy, Kanye is heavy influenced by the passed away of his mother.
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They made two albums full of sweetly earnest songs devoted to kindergarten classes and banana slugs and stardust.īut now the band (Robert Barber and Mary Pearson) has moved from Brooklyn to L.A., Barber has clearly bought some slicker toys, and Mary Pearson has dropped all the playfulness from her voice. Formerly, we had a pair of navel-gazers who sounded like regular contributors to Erowid.
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Mankind finds the band in startling new territory. These are important questions to ask of High Places because the first single, "On Giving Up," for their new album High Places vs.
808s and heartbreak review tiny mix tapes how to#
Otherwise, no matter its commendable fearlessness, the album is a listless, bleary trudge along West's permafrost.What happens when a couple of woodland nymphs stumble on a rave in the desert? Do they trade in their satchel of 'shrooms for some E emblazoned with Snoopy's face? Do they shed their beaded skirts for American Apparel spandex? Do they even know how to dance? ("Coldest Winter," where West longs for his departed mother, samples the most desolate song from the first Tears for Fears album.) For anyone sifting through a broken relationship and self-letdown, this could all be therapeutic. Several tracks have almost as much in common with irrefutably bleak post-punk albums, such as New Order's Movement and the Cure's Pornography, as contemporary rap and R&B. All the blocky drums, dragging strings, droning synths, and joyless pianos lead to a bleak set of productions - even the synthetic calliope in "Heartless" is unnerved, and the relative pep of "Paranoid" provides no respite, its bitter lyrics subverting a boisterous beat. girl." Earlier in the album, the number she did on him is called "the coldest story ever told," yet he admits he still fantasizes about her. The majority of the lyrics, however, are directed at an ex who evidently did some damage in "RoboCop" alone, she gets compared to the antagonist in Misery and is called a "spoiled little L.A. When, in "Welcome to Heartbreak," he dispassionately recounts sitting alone on a flight, ahead of a laughing family, he makes first class sound like Siberia he'd swap lives with the father in an instant. In various spots across 808s & Heartbreak, the constant flutter of West's processed voice, along with a seldom interrupted sluggish march of aching sounds, is enlivened by the disarming manner in which despair and dejection are conveyed.